Heretical drawing and visual communication design
From the experimental visions of Neville Brody and David Carson to the ludic applications of Bruno Munari
Abstract
In the history of representation, heretical drawing, in its various meanings, consistently implements phenomena of discontinuity capable of triggering and nurturing elaborative processes that advance the discipline by expanding its themes and boundaries. This refers to the theoretical-operational sphere that embraces methodologies, techniques, tools, signs, iconographies, etc. and to cultural approaches and procedural intentions that include playful, oneiric, experimental, exploratory, utopian, dystopian, etc. behaviours/objectives.
References
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- Farrelly, E.M. (2011). An Interview with Neville Brody, Art Director of The Face. Architectural Review, Agosto 1986. https://www.architectural-review.com/essays/an-interview-with-neville-brody-art-director-of-the-face.
- Munari, B. (1956). Il Museo Immaginario delle Isole Eolie. Domus, n. 321.
- Tzara, T. (1918). Manifesto Dadà. In De Micheli, M. (1986). Le avanguardie artistiche del Novecento. Milano: Feltrinelli. P. 308.
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