Apparent heretical drawing

Abstract

One of the aspects of architecture, probably the most comforting one, is drawing understood in the double meaning of intention and representation of something real or imagined; sketches, in their essential traits, communicate a thought, an intention, a desire, the idea and the will to form very often translating into refined drawings that are functional not only to a more precise transmission of the concept but also to the construction of the 'thing'. One of the main aspects of drawing is, as Vittorio Gregotti states, that of "technical communication, of the objective or conventional representation of the elements that constitute the parts of the whole of an object to be constructed".

References

- Adam, P. (1989). Eileen Gray and Le Corbusier. 9H, X, (8), 150-153.

- Adam, P. (2000). Eileen Gray. Architect Designer, London: Thames & Hudson.

- Bassanini, G. (2005). Eileen Gray”. Parametro, XXXV, (257), 24-29.

- Costant, C. (2000). Eileen Gray. New York-London: Phaidon Press Ltd.

- Hecker, S. & Müller, C.F. (1993). Eileen Gray. Works and projects. Barcellona: Gustavo Gili.

- Pitiot, C. (2017). Eileen Gray. Une architecture de l’intime. Intimate architecture. Paris: Cap Moderne; éditions HYX; éditions du Centre Pompidou.

- Rayon, J. P. (1982). Eileen Gray architetto, 1879-1976. Casabella, XLVI, (480), 38-45.

- Rykwert, J. (1968). Un omaggio a Eileen Gray. Pioniera del design. Domus, XL, (469), 33.

Published
2022-06-30
How to Cite
Maggio, F. (2022). Apparent heretical drawing. AND Journal of Architecture, Cities and Architects, 41(1). Retrieved from https://www.and-architettura.it/index.php/and/article/view/429